(prod by trouble men ?) remake of soul s classic with a terrific soulful house feel to it its been brilliantly reconstructed and the producer wishes to name anoymous but we suspect it maybe someone like trouble men... as the production here is that classy

melody maker is a electro-broken-disco-funk? many influences there.. surely here mashing up to be funky as hell. on the flip, 2 more songs from sexy dub house to funky drummer but drawned by reverb and echo's and then twisted with some filters....some say in flagranti's music could be called dwa (disco with attitude )

san fran's house legend joshua returns with a strong dub and roots reggae influenced west coast banger. played by doc martin and ralph lawson

strong forward progressive tribal floater

after the great 1st ep, here finally his second. rolling well produced electro made to rock

ultraphat 4 track technoi classixx ep...last copies

7 track remixes ep with remixes by freischwimmer, it & my computer (creme), charly kent, solitude fx...

der mit-begründer von deepchord rec. aus detroit läßt hier seinen gefühlen für tiefe techno-dub-cuts freien lauf und schafft tolle echo landschaften

der in london geborene und in atlanta lebende songwriter puma blue veröffentlicht am 1. september via blue flowers sein zweites album holy waters . holy waters wurde gemeinsam mit seiner live-band in den echo zoo studios in eastbourne aufgenommen und markiert dabei eine deutliche abkehr von den solo-schlafzimmerproduktionen der früheren veröffentlichungen.

chill pill vol. 5

best of shoegaze 1990-2022

... eine art greatest hit album (cd)

new output by green lake project

drittes album

limited

after nearly 8 years, nicol‡s jaar and dave harrington are back together as darkside with their new album ÒspiralÓ.

the debut album from jens bouttery & lennart heyndels as hi hawaii.

20 jahre total - total schoen !!!

limited to 100 copies

the new album from hot chip!

vor 20 jahren erschien mit decksandrumsandrockandroll das debŸt und gleichzeitig einzige studioalbum des britischen duos propellerheads. alex gifford & will white grŸndeten die band 1995 und veršffentlichten 1996 auf wall of sound zunŠchst ihre dive ep, gefolgt von weiteren eps und singles. am 22.06.2018 erscheint die 20th anniversary edition von -decksandrumsandrockandroll- auf wall of sound als doppel-cd, auf der die albumklassiker wie die bigbeat-coverversion von crash (mit einem wunderbaren elvis-double), das rastlose spybreak! (bekannt aus der lobby-szene des ersten matrix-films), den remix fŸr john barrys on her majestys secret service, und last but not least history repeating mit der unverwechselbaren shirley bassey selbstverstŠndlich vertreten sind.

nach bescheidenen, ersten acid-house-sets in der legendŠren hacienda bis zu dj-residenzen in weltberŸhmten superclubs, nach einer umfangreichen diskografie mit studioalben, mixsamplern und remixes (darunter fŸr madonna und the chemical brothers), nach grammy-nominierung, eigenem studio in new york und eigenem label (last night on earth), kršnt der britische dj/produzent sasha seine karriere nun (vorlŠufig) mit einer fabric-ausgabe. mit klassikern von carl craig, mathew johnson und exercise one und jŸngeren juwelen von dj koze, dj hell und objekt beweist sasha einmal mehr seine fŠhigkeiten, broken beats und ambient-trips komfortabel neben dub-techno und euphorischem house zu platzieren.

tim green returns to cocoon with his atmospheric and emotive album titled her future ghost. surprisingly, after all this time, this is his first ever album in his career. an 11-track production following the producers recent vinyl eptitled echo / they want us to fall down.

singularity beginnt und endet im kern seiner dinge auf der gleichen note: der emotionalen ehrlichkeit. hopkins, beeinflusst von jahrelangen erfahrungen mit meditation und transzendenz, bewegt sich durch ein selbstgeschaffenes universum, das sich unaufhaltsam ausdehnt und zum schluss wieder zu einem unendlich kleinen punkt zusammen zieht. nahtlos geht es dabei von rauem techno hin zu choralen melodien, und von solo-piano etappen Ÿber zu psychedelischem ambient. wo immunity sich in die dunkle realitŠt einer epischen club nacht stŸrzte, erkundet singularity nun die dissonanzen zwischen dem urbanen leben und der grŸnen natur. was beide alben verbindet, sind ihre unmessbar breiten musikalischen sound-paletten. so steht auf singularity die erkundung der verbindungen zwischen geist, klang und umwelt im vordergrund und vertont so die verschiedenen geistigen zustŠnde, in denen hopkins sich wŠhrend des schreib- und aufnahmeprozesses befand. und so viel sei schon verraten. durch die ernŸchternden erfahrungen, die hopkins mit dem blick auf die heutige welt machte, blieb ihm die letztgŸltige schlussfolgerung, dass ein wahres gefŸhl von frieden und zugehšrigkeit nur aus der einzigartigkeit der natur gewonnen werden kann.

digipack cd, all that must be wartet mit hochkarŠtigen kollaborationen mit lil silva, bonobo und tracey thorne auf. es beleuchtet achtzehn lebensverŠndernde monate, in denen fitzgerald den vielbeschworenen hedonismus der deutschen hauptstadt hinter sich gelassen hat, um ein leben als frisch gebackener familienvater und produzent in london aufzunehmen. mit hilfe eines faszinierenden musikalischen erzŠhlbogens vereint er die unterschiedlichsten emotionalen zustŠnde und injiziert seiner musik eine tragische pop-note. drama trifft frohsinn. nachdenklichkeit tanzt mit ausgelassenheit. ein ausbalancierter longplayer, der im clubnebel genauso funktioniert, wie bei einer nŠchtlichen autofahrt durch verlassene bezirke einer x-beliebigen gro§stadt dieser welt.

seeking the overwhelming vibration of the genuine sound wave and its profound echo on the soul, kenneth james gibson has spent his career experimenting under a variety of aliases like as many brushstrokes to an ever polymorphic palette - successively releasing as apendics.shuffle, bell gardens, reverse commuter, dubloner, kenneth james g., kj gibbs, bal cath, eight frozen modules, and premature wigÉ the list is long. near to two years after his first incursion on kompakt with his third studio lp the evening falls , gibson returns with in the fields of nothing , his second full-length delivery for the cologne-based imprint.

kuf create emotion-laden dialogues across layers of time and dimensions of sound. voices recorded in private are chopped up and brought out center-stage to sing with beats hammered out right here and now. glowing synths push forward. basslines rise to grab the melodic role of a track while a vowel is truncated and locked into a grid, driving the rhythm. voices move within the frame of a sample, performed by hands pushing keys, guided by the ear, immersed in a trio sessions deep flowÉ a vortex of quirky hands, responsive ears and glowing circuits. since thomas a. edison first recorded the human voice in 1877, the recording arts have changed music forever. musicians have explored the endless possibilities of bouncing their input onto layers of tape, off the walls of an echo chamber or the circuitry of electronic helpers - technology that modulates, spatializes, shifts, divides or multiplies the work of human hands and mouths. an era of sampling offered a cubistic analysis of the recorded past and djs took dancers onto intricately fractured time travels. this is the historic foundation that kuf keep probing. just like the sampler and the dj before them, they found new ways to re-allocate where machine and man stand when making music together. most importantly, they turn the resulting friction into sparkling bursts of energy. Ôuniverse digs deeper into the android vocal chords. the album offers sweeping melodies, different beats and persistent bass. immerse in the intimacy of the voices, probably recorded in trains, backstage areas and at late night private parties during berlin lichtenberg warehouse rehearsals. by striking the keys, kuf squeeze out and serve up all the soul accumulated in those savory phonetic shreds.

auf seinem neuen doppelalbum primary colors offenbart us-electronic produzent ryan farish seine fŠhigkeiten, eine perfekte balance zwischen chilligen downtempo- und trance-momenten und uptempo-grooves zu finden, was ihm in seiner heimat bereits vier top 10-alben in den billboard-charts und eine grammy-nominierung einbrachte. electronic listening in perfektion, vergleichbar mit schiller hierzulande.

the fourth installment of the escapism is here. featuring sixteen tracks by artists like flite, monrroe, nymfo, and many more.

it was in february 2015 when japanese producer and sound designer kuniyuki takahashi, sometimes known as koss, releases with the ep ™newwave project ¾2š a record, that tapped some roots of his mu-sical education: new wave, german electro punk from bands like a daf, ebm from acts like front 242 as well as industrial music. styles, about kuniyuki claims that they are his ™favourite musicš. now, nearly two years after his first newwave project ep, he drops an album that is leaning towards his musical love from the past. com-pared to his former work, that was rooted in worlds of classic, jazz, house, ambient, and electronic song-writing, his new tunes are full of melodic drifts and rhythmical shifts. as usual all is loaded with tones and rhythms straight from the heart that filter and modulate human emotions without losing their natural source. to get a sound that is fresh but still leaning to the 1980ees, he used some old synthesisers like a roland jupiter 8, a juno 60, a korg ms 20, an old tape echo machine but also new instruments like the roland aira. furthermore, his modular synthesizers talk too.

steffi, langjŠhriges mitglied der ostgut ton-familie und resident-dj der berghain/panorama bar, gestaltet ihre fabric-cd ausschlie§lich aus 15 exklusiven tracks befreundeter und seelenverwandter produzentenkollegen. ihr einzigartiges set aus abstrakten house, electro und techno-fragmenten besitzt einen basslastigen, retro-futuritischen vibe und ist auch aufgrund seiner exklusivitŠt ein weiteres schillerndes unikat in der renommierten dj-mixserie.

love and money front man james grant has collaborated with producer gordy goudie to form the korvids, releasing a dance album. for the older generation who might want to bust a move once more in honour of their younger selves. james says, i wanted to be someone else for a while. sound different. write different. it can be dreary being me all the time..i sing most of my vocals on the record in falsetto, which, as we know, is the international language of disco. the korvids marry their love of disco and 70 s funk with influences such as deodato, massive attack, miles and anything else that takes their fancy. after the success of their debut release beach coma, which was picked up by sirius us radio and remixed by balaeric legend jose padilla, the duo released bad faith, a beauteous cut of late 70 s disco remixed by love & money and steely dan s producer gary katz. james was the front man for love and money, everyone s favourite band from the 1980 s who should have been massive but somehow werent. the other half of the korvids, gordy goudie, is also no stranger to the business having produced simple minds and playing bass and guitar for the primevals and echo and the bunnymen.

rhodes island. bathed in sun, the aegeans sun, a spring of life and inspiration. surrounded by its waters. a wall and a path at the same moment. where the west meets the east. where worlds become one and civilizations blend. an island that acts like a witch, that captures your soul forever, that makes you always look for it, crave for it, always want to go back. beauty, history, culture. rhodes journey to the light. a compilation inspired by rhodes island and its nomination for european culture capital city 2021

das bristoler duo kahn & neek, betreiber des bandulu labels, prŠsentieren einen 74-minŸtigen dubstep/grime-mix aus eigenproduktionen, kollabos, remixes und heavyweight-selektionen von the bug, mungo s hi-fi, commodo und gantz, musik der young echo collectivekŸnstler jabu, chester giles, rider shafique und manonmars, sowie insgesamt 14 unveršffentlichte und exklusive tracks, u.a. von ishan sound, gemmy und lamont. den abschluss bildet kode9 & spaceapes zeitlose ghost town version als statement zur aktuellen unruhe in der londoner nachtleben und clubszene.

the dub master radikal guru returns to the trusted moonshine recordings to deliver his third album, which highlights his refreshing take on the beloved, dub sound of 2016. a selected few of the cuts involve exciting collaborations that are not to be missed.

¥ includes two exclusive tracks from daniel avery
¥ full tour schedule to support release

2 cd compilation incl hits by harddrive, soul vision, space echo, sam divine, street kings and more

der londoner dubstep-pionier und hotflush-labelbetreiber scuba aka paul rose beweist seine einzigartigkeit mit einem 75-minŸtigen fabric-set aus 42(!) Ÿber- und nacheinander gelegten tracks. unterschiedliche kŸnstler wie pearson sound und patrick cowley, donato dozzy und midland treffen in einer dŸster-verfŸhrerischen atmosphŠre aufeinander, so dass man sich zwischen pumpendem lo-fi techno und subsonischen bŠssen im rave-kosmos verliert.

liquicity records returns with second instalment of the alchemy series. the album showcases the immense talent of the labelÕs roster and its ability to develop that euphoric drum and bass sound.

cd jewel case remastered by manuel gšttsching and released on his own label mg art. inventions for electric guitar is manuel gšttschings first solo album, recorded: july-august 1974. the album was written and performed entirely by gšttsching on electric guitar, hence the title. manuel played his guitar and used a 4 track teac a3340, revox a77 for echoes, wahwah pedal, volume pedal, schaller rotosound and hawaiian steel bar.

following contributions by dj deep and dj hell, tresor records are proud to present the third instalment in their kern mix-series, this time headed by berlin based producer objekt, his first release following his 2014 debut album flatland for pan. in keeping with the series mission of showcasing a more personal approach to mixing hertz describes his process as such, kern vol. 3 is made up of tracks that i know i will play and love for years to come. some of these records have been in my bag for years others are almost as new to me as they are to you. a handful are by lesser known artists whom i admire and who i think deserve wider recognition. planned, recorded, embellished, reworked, tweaked and chiselled away at over a period of 6 months, the mix was gradually carved out in a way that makes use of new and old techniques alike, presenting itself primarily as a dj mix but settling in a sweet spot between live recording and studio trickery. the tracklist spans styles, decades and bpms in an attempt to craft a mix thats unpredictable and compelling in equal measure Ð one that draws from the more adventurous corners of my club sets, but above all, one thats a pleasure to listen to.

with the white isle summer season in full swing, simon dunmore presents his annual tribute to the island s club scene, defected in the house ibiza.

der legendŠre, britische produzent andrew weatherall bereist auf seinem neuen soloalbum -convenanza- seine musikalische sozialisation mit einflŸssen aus post-punk, new wave, punk-funk, dub und synth-pop und vermengt sie mit warmen basslines von heute. garniert mit seinen echo-vocals im stile von the clash, ist das ergebnis ein ereignisreicher trip durch dekaden britischer wave- und clubmusik.

brooklyn duo beacon explore the dark side of sweet melody with a sound thats as seductive as it is subtly discomfiting. thomas mullarney iii and jacob gossett are unstoppable. the new york artists, collectively known as beacon, have been on a productive hot streak since 2012, and their efforts continue to pay off. when we werent writing, mullarney starts, we hit the road and didnt really look back. we toured the us five times since the ways we separate came out, building this project the old-fashioned way. and beacons natural, time-tested process has brought us escapements, their sophomore album for ghostly. we went into this feeling liberated, continues the singer/producer, and gossett seems to echo his thought: this record is in part our attempt to formulate what beacon is going to look and sound like going forward.

it takes time for a series of seperate ideas to evolve into a fully concepteptualized album if it wants to have a place in history for ali and basti schwarz, better known as tiefschwarz. since 1998 the duo, as both djs and producers, have perfected the art of dominating the moments only experienced on a dance floor, deeply immersed in sound. their music is unique as it is creative.

walk dance talk sing is the seventh album by much-loved crazy p aka danielle moore, jim baron and chris toddy todd.

neues album von reso auf hospital records. reso ist u.a. bekannt durch veršffentlichungen auf med school und horizon.